On the invitation of Arcangelo Constantini, I will visit Mexico City from 16-20 December 2014 to give a SoundBoxes workshop and Macumbista live performance at FACTO, in the Fonoteca National. The highlight should be the final participant performance of 100 hand made sound devices. Hope to see some of you there!
Last spring, the Edith-Russ-Haus für Medienkunst, in Oldenburg DE, kindly decided to support my vocoder-based public speech encryption project DELILAH TOO with a working stipend, and if all goes well I look forward to showing it during the next CTM Festival in Berlin at the end of January. You can read the Edith-Russ-Haus jury statement here:
From now until 05 DEC, I will be working with the staff and new directors of the Edith-Russ-Haus, Edit Molnár and Marcel Schwierin to give further shape to the piece. And doing a bit of soldering on the way as well…
I have a few public presentations during my time here, as follows:
Präsentation der Stipendiaten 2014 (ERH): 27.NOV, 19:00
Komponist Colloquium (University of Oldenburg): 28.NOV, 20:00
Derek Holzer – Tonewheels performance (ERH): 02.DEC, 19:00
You can read more about the DELILAH TOO project here:
As part of the Lange Nacht der Bilder Lichtenberg 2014, Juan Carlos Duarte, Darsha Hewitt, and I will host an open studio from 20-00h on Friday 07 NOV 2014 at the Atelier Macumba.
Drop by to try out several of the SoundBoxes, Benjolins and custom modular synthesizer systems I have built, and sip a little fine bourbon while you are at it!
Live sets by Seth Zahn + Matthew Burnett, Juan Duarte and Derek Holzer, a demo of the Wurlitzer Sideman tube drum machine by Darsha Hewitt, a live Benjolin+snaredrum set by Andi Stecher, and a very reasonably-priced selection of 10 American whiskeys for your tasting pleasure by Pure of Taste the Doom/Slowlands fame.
Atelier Macumba, Room 2.31, Eingang B, HB55 Kunstfabrik Herzbergstrasse 55 Berlin-Lichtenberg.
I am proud to announce my participation as musician in the Markus Öhrn/Nya Rampen/Institutet production “Bis Zum Tod”, premiering at the Volksbuhne in Berlin 20/21 September 2014.
We will tour this production to Poznan (3/4 October), Malmö (7/8 November) and Helsinki (14/15 November).
Pictured: Linus Öhrn and Anders Carlsson
Photo: Christian Kleiner
Derek Holzer (USA 1972) – “White Elephants” – solo performance for self-made analog synthesizers, speaker box, found objects and room. Approx 30 minutes. http://macumbista.net/
Concert for the exhibition: Franziska Frey – dimensional
SAT, 19. JUL 2014 — 20:00
galerie weisser elefant
10117 Berlin – Auguststraße 21
Tu – Sa 13–19:00
Tel. (030) 28 88 44 54
15-20 NOV: LiquenLab, Punta Arenas (workshop, concert & residency)
22 NOV: La Casa Rodante, Santiago (concert w/ Un Festín Sagital)
24 NOV: Stgo Makerspace, Santiago Mini Maker Faire (workshop)
26 NOV – 02 DEC: Ciudad Abierta, Ritoque (residency, workshop, concert)
03-08 DEC: Tsonami Festival, Valparaiso (workshop, concert)
¡Nuevas: instrucciones de SoundBoxes/Cajas Sonidas en Español aqui!
Muchas gracias a Fernando Godoy M, Rodrigo Ríos Zunino, Nataniel Alvarez, Sandra Ulloa, Oscar Santis, Claudia González Godoy, Macarena Pola, Michel de Un Festín Sagital, Ervo Perez, Alexander del Re y Montse Torredà Martí.
Derek Holzer and Seth Zahn play “Animals (for two analog modular systems)”
Think less Pink Floyd’s pigs on the wing, and more what you might hear if you could amplify the kind of animals seen under a microscope. A live improvisation, built up from scratch on Serge and DIY analog modular synthesizers and played at high volume by two performers with nothing to lose. Derek Holzer is an American sound artist and instrument builder who has made Berlin his home for several years, while Seth Zahn is a more recent transplant to this city’s experimental scene from Brazil.
Live internet radio from NK Projekt Berlin, starts 20:00 CEST, Weds 31 July. The show will also be archived on the radi0n website.
“Several years ago, I abandoned the digital sound world to spend (quite a bit of) time building a modular analog synthesizer based on the forms and functions of the legendary Serge and Buchla systems from the 1960s and 70s. In performance, I summon the chaotic, generative powers of this machine to explore the physical affects of volume, frequency and complexity within a given space. For fans of Maryanne Amacher, Bernard Parmegiani, Eliane Radigue and Slayer.”
My apologies for those that couldn’t connect to the stream… no one told me it was limited to 10 people until too late! I have uploaded the two live sets and interviews as an edited MP3, total 59 minutes: http://tinyurl.com/mqlm3uc
This will be up until 08 August. Enjoy!
I have been invited to give a lecture on optical sound synthesis as well as perform the TONEWHEELS live set as part of the Eye for an Ear Festival in Berlin later this month. There are quite a few other amazing people involved in this, namely Andrei Smirnov, whose recent book “Sound in Z: Experiments In Sound And Electronic Music In Early 20th Century Russia” is one of the best things I’ve read in the last year.
“A Brief History of Optical Synthesis”, a lecture by Derek Holzer, Wed June 26th 21:00 at NK Projekt Berlin
The technology of direct optical synthesis arose with the first sound-on-film motion pictures. In the 1930′s, several designs for optical synthesizers were produced in the USSR, Germany and United States, with a handful even being commercially realized to great amount of techno-utopian hype. The future of sound, we were assured, was made of light.
However, the use of optical synthesis for electronic music creation was largely abandoned after the Second World War in favor of techniques derived from new military technologies which made the V2 rocket and the atomic bomb possible. Thus, contemporary research into optical sound synthesis represents a media-archaeology of “the road not taken”, that of a connection to the culture of film and music versus the science of destruction and death.
TONEWHEELS (Derek Holzer: sounds, electronics), Friday June 28th 20:00 at NK Projekt Berlin
TONEWHEELS is an experiment in converting graphical imagery to sound, inspired by some of the pioneering 20th Century electronic music inventions. Transparent tonewheels with repeating patterns are spun over light-sensitive electronic circuitry to produce sound and light pulsations and textures. This all-analog set is performed entirely live without the use of computers, using only overhead projectors as light source, performance interface and audience display. In this way, TONEWHEELS aims to open up the “black box” of electronic music and video by exposing the working processes of the performance for the audience to see.
SADLY, I WAS FORCED TO CANCEL THIS APPEARANCE DUE TO ILLNESS
Jelena Glazova, Derek Holzer, Barakah Troum, Bengt Henrik Leonard and Halldor Arnar Ulfarsson.
Fylkingen, Stockholm 13 April 2013
This gig comes at the end of a short residency at EMS Stockholm with Icelandic artist and instrument-builder Halldor Ulfarsson, whose eponymous “Halldorophone” augments the traditional cello form with a controlled electronic feedback system, allowing new tones and timbres to emerge from the instrument. During this collaborative performance, Berlin-based American sound artist Derek Holzer will insert the EMS studio’s legendary Buchla synthesizer into that feedback loop to further control and manipulate the sonic spectrum produced by this unique instrument.