sommercamp workstation preview performances

Posted in Announcement on August 5th, 2009 by admin

09.08.2009 – 21 uhr – ausland – Lychener Str. 60 – 10437 Berlin

http://www.ausland-berlin.de/

This evening starts the sommercamp
workshop marathon (workshops take place 10-16 August at Haus der Kulturen der Welt). Artists
and workshop leaders will introduce themselves with short performances.

With:

Jessica Rylan (US)
– complex/chaotic systems in analogue circuits –
http://www.irfp.net/
Ciat Lonbarde/Peter Blasser (US)
– deerhorns –
http://www.ciat-lonbarde.net/
Hildur Gudnadóttir (IS)
Halldor Ulfarsson (IS/F)
– halldorophones –
http://www.hildurness.com/
http://www.myspace.com/halldorophone
Tore Honoré Boe (N/E)
– acoustic laptops –
http://kunst.no/origami/boe/2.3-010.html
Dave Griffiths (B)
– live coding –
http://www.slub.org/
Martin Howse (UK/D)
– EM interventions –
http://1010.co.uk/org/
Derek Holzer (US/D)
– TONEWHEELS –
http://www.umatic.nl/tonewheels.html

WORKSHOP INFO
http://www.sommercampworkstation.de/?page_id=10

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Neanderthal Vocal Computer + Ring of Fire

Posted in Announcement on July 12th, 2009 by admin

Neanderthal Vocal Computer



Saturday 18 July 2009 2PM


_____-micro_research, pickledfeet, Linienstrasse 54, Berlin 10119

U2, Rosa-Luxemburg-Pl.
U8, Rosenthaler Pl.

Telephone: 3050187482.
Cost: EUR 10-15?
Please email m@1010.co.uk to reserve a place (strictly limited)

This workshop combines three of the basic building blocks of the longer Neanderthal Electronics workshop (TL072 op-amp comparator, 4093 gated oscillator & LM386 audio amplifier) to create a very crude, caveman-style analog computer for the processing of vocal input through a microphone. Participants will learn some analog and digital electronics basics to create an experimental prototype on the solderless breadboard, then recreate the circuit with permanent connections. They are also expected to bring their own box, case or other object in which to construct the final circuit. The last part of the workshop will touch on how this circuit can be expanded later on to include all kinds of mixers, modulators, distortions and filters through the use of other cheap, easily obtained parts.

For more information and videos from the Neanderthal Electronics workshops, see:

Ring of Fire

Due to popular demand, and as a way of saying “thank you” to Ingo Froelich who helped me with some woodworking for my new synthesizer, I’ll be cooking another transcendental(ly hot) chili at the amazing courtyard gallery at Torstrasse 111 for the opening of Erling TV. Klingenberg and Marcin Szydlowski. Also showing from th eprevious opening is the highly recommended “Return of the Art Zombies” video by Veronika Schumacher and the rather Texas-style paintings of Silke Thomas. Kickoff is at 19.00.

Friday 17 July 2009 19.00
Torstrasse 111 Berlin
Erling TV. Klingenberg and Marcin Szydlowski
Veronika Schumacher and Silke Thomas
http://www.tor111.de

Now Playing

anthony pateras & robin foxend of daze[2009 editions mego]
iannis xenakismetastasis pithoprakta eonta[1993]
vablack mirror:reflections in global musics 1918-1955[2007]
z’evsum things[2009 cold spring]

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Rokolectiv Soundcamp + Significant Other

Posted in Announcement, Documentation on July 9th, 2009 by admin
Rokolectiv Soundcamp
Star Dome, Rucar, Romania
27.07 – 02.08.2009

Artists:
Suzana Dan, Sergiu Doroftei, Camil Dumitrescu, Ion Dumitrescu, Derek Holzer, Catalin Matei, Eric Minkkinen, Paul Popescu, Daniel Stanciu

With support from AFCN – Romanian Ministry of Culture

Partners: MNAC Lab, Ableton Live, Collectif Mu, CTM Berlin, Star Dome s.r.l.

Rokolectiv Soundcamp is a seven days artistic residency for sound experiments and field recording. Ten artists will work out of the urban context in a studio hosted by the prototype of the Star Dome in Rucar, an innovative house turned into a space for artistic residency. Star Dome is a modular dwelling, one of the few sustainable architecture structures in Romania.

Rokolectiv Soundcamp promotes an artistic and cultural research, an investigation of the natural landscape with its acoustic and language peculiarities. The project consists of individual field recording sessions, as well as workshops, panels and debates for and with the artists involved. The works realized during the residency will be gathered on a promotional CD.

Rokolectiv Soundcamp is the follow up of European Sound Delta, a broader sound art project co-organized by Rokolectiv in summer 2008, when international artists took part in a mobile residency navigating upstream on the Rhine and Danube.

If you wish to say hi you are invited to join us at Rucar between July 27th and August 2nd. The access to the Romanian mountain resort can be done by public buses which leave daily from Bucharest or by train to Brasov, and then by local shuttles to Rucar.

For further info feel free to contact us at: info@rokolectiv.ro

Significant Other

An Estonian friend joked with me once that while some people carry around photos of their girlfriends, I have photos of my synthesizers. In keeping with that thought…after my almost completely disastrous weekend in Copenhagen (even the moon let me down), I decided to focus on something real this week. So this is a preview of a new case I’m working on–a clone of the Buchla 200e. Still some things left to do, as you can see, before I start putting the modules in. Big thanks to Ingo Fröhlich for help with the woodwork!

Now Playing

cabaret voltaire2×45[1982 rough trade]
emeraldsallegory of allergies[2007 gods of tundra]
hive minda feast within cs[2009 gods of tundra]
jarboemahakali[2008 the end]
mircea eliadeshamanism: archaic techniques of ecstasy book[1964]
mrtyu!ornate shroud[2009 fauna sabbatha]
nadja & black boned angelnadja & black boned angel[2009 20 buck spin]
neurosis & jarboeneurosis & jarboe[2003 neurot]
swanschildren of god+world of skin[1997 young god]
swansfilth+body to body, job to job[2000 young god]
yellow swansmort aux vaches[2009 staalplaat]

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Re:Discovering Sound — an Instrument-building Workshop

Posted in Announcement on June 17th, 2009 by admin
I have a new instrument-building workshop coming up 10-16 August 2009 at Haus der Kulturen der Welt, Berlin. See details below. Co-conspirators in the Sommercamp Workstation project include Martin Howse, Carsten Stabenow and Medialab Prado (Madrid).

Please also check out Martin Howse’s upcoming Breakthrough event, 27 June also here in Berlin.

Sommercamp Workstation workshop cluster B

Re:Discovering Sound — an Instrument-building Workshop

The process of instrument creation sits in direct opposition to the
that of instrument virtuosity. Rather than bend one’s artistic
expression around the rigid, predefined form of a traditional music
instrument, imagination takes flight and new possibilities are created.
Like Neanderthals or small children, we are astounded that the sounds
we have invented are actually our own.

This collection of three simultaneous workshop nodes-DEERHORNS, HALLDOROPHONES and ACOUSTIC LAPTOPS-explores
the use of radio waves, the electromagnetism of the human body, strings
under tension, the resonance of hollow structures and various found
objects to invent new types of sound instruments. Each of these deeply
personal creations is free to live in ignorance of any musical
theories, thus having the potential for both sonic and visual
excitement.

Participants may choose which node of the workshop they would like
to start with, however cross-talk and collaboration between these nodes
is encouraged. The workshop will end with a presentation/performance on
the final Saturday of the summercamp, and an “open day” on the Sunday
where the general public is invited to hands-on exploration of the
instruments which have been created.

Each workshop node is limited to 10 places, so please pre-register! (see below)

Workshop nodes:

1] DEERHORNS with Ciat Lonbarde/Peter Blasser

Without musical intention, there is still your body intention, and how
you place it in space. Firmness reflects, and so do all your other
movements. The Deerhorn project, created by electro-mystic Ciat
Lonbarde/Peter Blasser, is aimed at creating new instruments out of the
original radio Theremin concept. Participants will collaborate in the
construction of a playable, site-specific installation in the large
hall of the Haus der Kulturen der Welt.

http://www.ciat-lonbarde.net/

http://www.ciat-lonbarde.net/deerhorn/index.html

http://www.ciat-lonbarde.net/deerhornprovidence.mov

2] HALLDOROPHONES with Halldor Ulfarsson

Halldorophones are electro-acoustic string instruments which send the
sound from their pickups back into it’s body. When the sound has
traveled full-circle, it vibrates the strings again and creates an
infinite sustain which the player can affect in different ways.
Participants in this workshop will use found or constructed hollow
forms along with simple pickups, amps and loudspeakers to create their
own resonant instruments.

http://www.myspace.com/halldorophone

http://www.youtube.com/watch?v=dKMkTSENTIU

http://www.youtube.com/watch?v=aPfGKaqCwRs

3] ACOUSTIC LAPTOPS with Tore Honoré Bøe

For many years, Tore “Origami Boe” has been creating, playing and
passing on his “acoustic laptops”: a selection of wood boxes with
various tiny objects attached; springs, stones, metal, rubber, string,
needles, memorabilia – amplified by old-school contact mikes and
pick-ups. Participants with & without musical interests will be
invited to create their own unique acoustic laptop to start touching
the sounds and drawing pictures in free air.

http://kunst.no/origami/boe/2.3-010.html

http://www.facebook.com/album.php?aid=2011575&id=1591068802&l=c8e56f53b0


Facilitation by Derek Holzer

Derek Holzer’s interest in new forms of sound creation and performance
have led him from computer programming in Pure Data to Theremins,
“Neanderthal electronics”, long-string instruments and the
possibilities of visual or drawn opto-electronic sound. For this
workshop, his main concern will be the synthesis of the different
approaches to instrument creation being presented.

http://www.myspace.com/macumbista

http://www.umatic.nl/tonewheels.html

http://www.vimeo.com/album/64426

Each workshop node is limited to 10 places, so please pre-register!
This registration is a first indication or preference, cross-talk and
collaboration between these nodes is encouraged.

The workshop fee is 50 Euro for the week.

Registration Form >>>>

Now Playing

l’AcephaleMalefeasance [2009 Aurora Borealis]
Ash Ra TempleNew Age of Earth [1976]
BurmeseBurmese is Dead [1998 Death Wish]
Burmese & Cadaver EyesSplit [2008 Heart & Crossbone]
Carlos ReygadasSilent Light [2007](film)
C.G. JungThe Portable Jung (edited by Joseph Campbell)(book)
DrudkhMicrocosmos [2009 Season of Mist]
Gnaw Their Tongues & Lunar Miasma & Mrtyu! & XelaSplit CDR [2009 Insult]
Group Doueh – live at Sublime Frequencies tour (Rotterdam & Berlin)
Hail/l’Acephale & Fauna – live recordings from Northwest Folklife Festival
Herman HesseNarcissus and Goldmund [1930](book)
Hildur GudnadottirWithout Sinking [2009 Touch]
Kevin DrummSheer Hellish Miasma [2007 reissue Editions Mego]
Mircea EliadeShamanism: Archaic Techniques of Ecstasy [1964](book)
MudboyMusic for Any Speed 7″ [2009 Lexi]
Stephen HawkingA Brief History of Time [1988](book)

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Malmö/Bergen/Rotterdam

Posted in Announcement on May 25th, 2009 by admin

Midnight Sun?

At 6am this morning, with about two hours sleep the night before, I left Malmö and the Art of the Overhead event and flew to Bergen, Norway. After a quick nap and yet again the price shock (EUR 8 for a beer!), I realized that it was 11 at night and the sun hadn’t really gone down yet. Crazy…

I will post some videos and reviews of the Overheads event later on, but first I must repeat the mantra I learned–quite painfully–during my time in Sweden:

I will not tour without my own mixer ever again. I will not tour without my own mixer ever again. I will not tour without my own mixer ever again. I will not tour without my own mixer ever again. I will not tour without my own mixer ever again. I will not tour without my own mixer ever again. I will not tour without my own mixer ever again. I will not tour without my own mixer ever again. I will not tour without my own mixer ever again. I will not tour without my own mixer ever again. I will not tour without my own mixer ever again. I will not tour without my own mixer ever again. I will not tour without my own mixer ever again. I will not tour without my own mixer ever again. I will not tour without my own mixer ever again. I will not tour without my own mixer ever again. I will not tour without my own mixer ever again. I will not tour without my own mixer ever again.

Three days lost and a one performance ended after 5 minutes due to stupid technical problems with borrowed mixers. Luckily I borrowed yet another mixer and managed to make it up to the very patient audience on the second night of the festival.

Up and Coming!

Next Life
Snöras
Derek Holzer and John Hegre
21.00, 30 May 2009
Landmark
Bergen Norway

Can’t tell you how much I’m looking forward to this one. John Hegre (of Jazkammer) has been one of my favorite people and favorite experimental musicians for years now, so playing a duo with him could end up being the highlight of this tour! Thanks again to Piksel & Ny Musikk for organizing both this and the Neanderthal Electronics workshop I’m doing here this week.


fOO_bar!
w/ macumbista (us/de)
column one (de)
‘Systems Crash’
NEANDERTHAL ELECTRONICS PARTY!!!
21.00, 5 June 2009
WORM
Rotterdam, the Netherlands

‘fOO_bar’ is the public interface of WORM’s medialab moddr_ >> a combination of presentation, installation and performance of digital art and music, showing current interests from the lab without excessive 2.0_fluff – enjoy true interactivity and have a drink while you’re at it…

This night we host the closing event of our ‘Neanderthal Electronics’ workshop by Derek Holzer, with a presentation of the projects created during the week and a Stone-Age style group noise performance.
Live on stage we have COLUMN_ONE and Macumbista, and we start the evening with “Systems Crash” – a new series of public lectures jointly organized by Piet Zwart Institute Media Design and WORM.

Plus earlier in the week I get to see Mudboy open for Lightning Bolt, and on the weekend I go play with the analog synths at the WORM studio. Who says life on the road is all that rough?

Now Playing

Joseph Campbell and Bill MoyersThe Power of Myth (TV)
EmeraldsWhat Happened [2009 No Fun]
Jana WinderenHeated [2009 Touch]
Jana WinderenSurface Runoff 7″ [2009 Touch]
Jason CrumerOttoman Black [2008 Hospital Productions]
Mika Vainio & Lucio CapeceTrahnie [2009 Editions Mego]
MinskWith Echoes in the Movement of Stone [2009 Relapse]
Nate YoungRegression [2009 Ideal Recordings]
Natural Snow BuildingsDaughter of Darkness 5XCS [2009 Blackest Rainbow]
Nicholas SzczepanikThe Chiasmus [2009 Basses Frequences]
Our Love Will Destroy the World Stillborn Plague Angels vinyl [2009 Dekorder]
Pärson SoundPärson Sound [1968]
Peter WrightSnow Blind [2009 Install]
PrurientAnd Still, Wanting [2008 Hospital Productions]
PrurientThe Black Post Society [2008 Cold Spring]
Stephan MathieuThe Key to the Kingdom 7″ [2009 Dekorder]
Stephen O’MalleyKeep an Eye Out [2009 Table of Elements]
Sunn O)))Monoliths & Dimensions [2009 Southern Lord] (bit of a dud, really…they are overcome by their own artiness…)
SwansOmniscience [1992 Young God]
Unknown 1970s Thai psychedelic orchestra
Wolf EyesAlways Wrong [2009 Hospital Productions]

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Neanderthals & Overhead Projectors

Posted in Announcement on May 12th, 2009 by admin

Neanderthal Electronics workshop Derek Holzer

Slideshow from the Neanderthal Electronics workshop last week in Berlin, photos by Farahnaz Hatam/NK. There are still places for the Norway and Netherlands workshops open!

BERGEN, NO

***DATES: Monday 25 May – Friday 29 May 2009 10.00-16.00 daily
***LOCATION: Lydgalleriet, Østre Skostredet 3, Bergen, Norway
***COST: 500 NOK (approx 56 EUR)
***FINAL PRESENTATION: Friday 29 May, 19.00, Lydgallerie
***REGISTRATION: post@lydgalleriet.no +47 48 23 78 88
This workshop is a collaboration with Piksel.no

ROTTERDAM, NL

***DATES: Monday 1 June – Friday 5 June 2009 11.00-18.00 daily
***LOCATION: WORM, Achterhaven 148, Rotterdam
***COST: 50 EUR
***FINAL PRESENTATION: Friday 5 June, 21.00, WORM, 5 EUR entry
***REGISTRATION: workshop@moddr.net

TONEWHEELS at The Art of the Overhead, Malmö

I will be in Malmö, Sweden next week to perform the TONEWHEELS set at the Art of the Overhead festival…an event dedicated entirely to sonic and visual arts with the overhead projector!

http://www.overheads.org/

S C H E D U L E

S E M I N A R
MONDAY May 22

10.00 – 12.00 Home Made Media Archaeology at Stapelbäddsparken with prof dr. Verena Kuni (de)
The seminar is presented in collaboration with MEDEA, Collaborative Media Initiative, Malmö University.

P E R F O R M A N C E W E E K E N D
FRIDAY May 22

18.30 Exhibition Opening
20.00-00.00
Junichi Okuyama (jp)
Kunst
& Musik mit dem
Tageslichtprojektor (de)

Derek Holzer (us/de)
170
cm (fr)
Reassemble (uk)

SATURDAY May 23
14 – 17.00
Rune Søchting & Zeenath Hasan (dk)
Maria Karagianni (gr)
Alistair Gentry (uk)
Eva Elander (nl)
Jan Holmberg (se)

20.00-01.00
Goodiepal (dk)
Loud Objects (us)
Katrin Bethge & für diesen abend (de)
Milk Milk Lemonade (de)
Raumzeitpiraten (de)
Martin Haussmann (de) & Desinformation (se)

P S Y C H E D E L I C C L O S I N G P A R T Y
SATURDAY May 30

20.00 Finissage
Ohpia with Mickey Guitar (jp)
Kristian Nihlén (se)
John Wentworth
(se)
VJ Mako Ishizuka & DJ (jp/se)
“OH-istory! A Genealogy of The
Art of the Overhead” by Kristoffer Gansing & Linda Hilfling

O H P e n S u r f a c e W o r k s h o p
17-21 May
The Ohpen Surface workshop is an artist driven workshop. It works as an artist-knowledge-exchange where participating artists are developing their own projects for the festival, but also with the possibility of artists showing a specific technique to oth
ers. The workshop is co-organized and supervised by “Kunst und Musik mit den Tageslichts-projektor”.

ADDRESS:
Stapelbäddsparken – the large concrete building along Stora Varvsgatan, West Harbour, Malmö.

Now Playing

HeckerAcid in the Style of David Tudor [2009 Editions Mego]
Peter RehbergWork for GV 2004-2008 [2008 Editions Mego]
PitaGet Out [2008 Editions Mego version]
WhitehouseErector [1981 Susan Lawley]
jgrzinichTime’s Arrow Landing [1998/2009 Maaheli Editions]
Saint VitusSaint Vitus [1984 S.S.T.]
EarthSunn Amps and Smashed Guitars Live [2006 No Quarter]

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Neanderthal Electronics workshops on tour!

Posted in Announcement on April 2nd, 2009 by admin
Neanderthals Electronics workshops on tour April-June 2009!


Neanderthal Electronics workshop, Tartu Estonia from macumbista on Vimeo.

.:::DATES + CITIES:::.

20-24 Apr: Queen St. Studios, Belfast UK
04-09 May: eNKa, Berlin DE
25-29 May: Lydgalleriet, Bergen NO
01-05 Jun: WORM, Rotterdam NL

.:::NEANDERTHAL ELECTRONICS:::.

More than 40,000 years ago, our Neanderthal predecessors invented the first music instruments from simple objects around them (bones and stones, sticks and skins…), without reference to any existing music history, and primarily for their own pleasure rather than that of others.

Nowadays, we use complex audio hardware and software which make it “easier” to make music, so long as we channel our creativity into such socially acceptable avenues as Western Classical or Minimal Techno. As with any established genre, the results are often completely predictable, and therefore quite boring.

But some of us, deep in our wild hearts, still long for the Stone Age simplicity of pure noise!

This 5 day workshop is designed for 8-10 people, possibly with a background in sound, but with no previous electronics experience. They are shown how to use simple objects from our modern environment (resistors, capacitors, transistors, LEDs, integrated circuit chips…) to design and build their own personal, customized primitive noise synthesizers. Each is a tiny world of its own, using primitive analog computers in combination with feedback, sensors and audio inputs to create a unique sound. Even from the same plan, no two are alike!

Participants are encouraged to use found materials for the construction of their personal instrument. The workshop concludes with a group performance and an invitation to the audience to experiment with each of the instruments which have been created.

.:::VIDEOS FROM PREVIOUS WORKSHOPS::::.

.:::ABOUT THE INSTRUCTOR:::.

Derek Holzer (1972) is an American sound artist living in Berlin, whose current interests include DIY analog electronics, sound art, field recording and the meeting points of electroacoustic, noise, improv and heavy metal music. He has played live experimental sound as Macumbista or Derek Holzer–as well as taught workshops in Pure Data and electronics–across Europe, North America, Brazil and New Zealand.
http://blog.myspace.com/macumbista
http://www.vimeo.com/macumbista
http://www.umatic.nl/info_derek.html

.:::REGISTRATION INFO:::.

Please register early for all workshops, as they are limited to 10 places each! All workshop fees include electronic components + use of tools.

BELFAST

***DATES: Monday 20 April – Friday 24 April 2009 10.00-16.00 daily
***LOCATION: Digital Arts Studios, 37-39 Queen Street Belfast BT1 6EA
***COST: This workshop is FREE!
***FINAL PRESENTATION: Saturday, 25 April 2009 9pm til late. Catalyst Arts, 5 College Court Belfast BT1 6BX. £5 donation welcome.
***REGISTRATION: events@digitalartsstudios.com or phone 02890312900

BERLIN

***DATES: Monday 4 May – Saturday 9 May 2009 12.00-18.00 daily
***LOCATION: eNKa / ElsenStr. 52 (2.Hof) Berlin, Germany
***COST: 120 EUR
***FINAL PRESENTATION: Saturday 9 May, 19.00, eNKa
***REGISTRATION: eNKa_NK@gmx.de www.myspace.com/enka52 +49 (0)176 20626386

BERGEN

***DATES: Monday 25 May – Friday 29 May 2009 10.00-16.00 daily
***LOCATION: Lydgalleriet, Østre Skostredet 3, Bergen, Norway
***COST: 500 NOK (approx 56 EUR)
***FINAL PRESENTATION: Friday 29 May, 19.00, Lydgallerie
***REGISTRATION: post@lydgalleriet.no +47 48 23 78 88
This workshop is a collaboration with Piksel.no

ROTTERDAM

***DATES: Monday 1 June – Friday 5 June 2009 11.00-18.00 daily
***LOCATION: WORM, Achterhaven 148, Rotterdam
***COST: 50 EUR
***FINAL PRESENTATION: Friday 5 June, 21.00, WORM, 5 EUR entry
***REGISTRATION: workshop@moddr.net

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Neanderthal Electronics

Posted in Documentation on February 20th, 2009 by admin

Neanderthal Electronics: an instrument-building workshop by Derek Holzer

More than 40,000 years ago, our Neanderthal ancestors invented the first music instruments from simple objects around them (bones and stones, sticks and skins…), without reference to any existing music history, and primarily for their own pleasure rather than that of others.

Nowadays, we use complex audio hardware and software which make it “easier” to create music, so long as we channel our creativity into such socially acceptable avenues as Western Classical or Minimal Techno. As with any established genre, the results are often completely predictable, and therefore quite boring.

But some of us, deep in our wild hearts, still long for the Stone Age simplicity of pure noise!

The Neanderthal Electronics workshops are designed for approximately 8-10 people, possibly with a background in sound, but with no previous electronics experience. Over 5 days, they are shown how to use simple objects from our modern environment (resistors, capacitors, transistors, LEDs, integrated circuit chips…) to design and build their own personal, customized primitive noise synthesizers.

A final presentation allows the participants to demonstrate and play their creations, as well as allows the audience to make their own experiments with the newly built instruments.

This workshop has been realized so far at:

Royal Danish Academy of Fine Arts, Copenhagen, Denmark (Feb 2009)
Tartu Art Month, Tartu, Estonia (Feb 2009)

with future workshops under discussion to take place in Germany, the Netherlands, Estonia and the UK. The workshop is currently available for booking in Europe during Spring and Summer 2009.


Neanderthal Electronics workshop, Tartu Estonia from macumbista on Vimeo.


Copenhagen Noise Workshop from macumbista on Vimeo.

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Pure Data Basics: a Project-Oriented Workshop

Posted in Announcement on February 10th, 2009 by admin

Pure Data Basics: a Project-Oriented Workshop with Derek Holzer

Wednesday 11 March – Sunday 15 March 2009
11.00-19.00 daily with one hour lunch break
Final presentation Sunday 15 March, 19.00

Location: eNKa / ElsenStr. 52 (2.Hof) Berlin, Germany
Telephone: +49 (0)176 20626386

Course Participation fee: 100 euros
Registration is required for this workshop and can only be done via email to: eNKa_NK@gmx.de
Please register early to ensure a place. Places are limited to 12. Participants should indicate ahead of time what their background and areas of interest are (sound, video, sensors, etc) as well as give a short description of any project they might want to develop during the workshop.

Pure Data is a powerful, free and open-source software environment for producing and manipulating sound, image, data and connections to sensors, motors and other “physical computing” functions, all in real time. Because the programming is done visually, many artists find it a more intuitive tool than traditional text-oriented programming languages. This 5 day workshop will cover the basic “grammar” and “vocabulary” of the Pure Data language through a mix of lecture and demonstration in the mornings and project-based mentoring in the afternoons. This workshop is open to those with no previous computer programming experience, however basic computer literacy is assumed as well as a working familiarity with either digital audio or video. A manual-in-progress for Pure Data by Derek Holzer can be found here:

http://flossmanuals.net/puredata

5 DAY CURRICULUM

DAY ONE:
1) Meeting PD: the interface and how to play with it
2) Basic PD: participants learn to make a simple synthesizer, and learn basic PD grammar in the process
3) Workshop: discussions of examples and work on student projects

DAY TWO:
1) PD audio: more on oscillators, noise, delays, feedback, filters and signal analysis for all your sonic needs
2) Events in PD: participants explore the timing of events with sequencers, delays, messages
3) Workshop: discussions of examples and work on student projects

DAY THREE:
1) Working with soundfiles: loading audio for use in samplers, granulators and other file-based sound manipulation systems
2) Basic GEM: how to create simple 3D objects, play videos and get camera input
3) Workshop: discussions of examples and work on student projects

DAY FOUR:
1) Physical PD: an introduction to physical computing using Pure Data alongside a microcontroller-based board such as the Arduino or xxxxxAVR/HID–or even a hacked USB gamepad–to work with sensors, motors, lights, etc.
2) Workshop: discussions of examples and work on student projects

DAY FIVE:
1) Workshop: discussions of examples and work on student projects
2) The Wrap Up: public presentation of student works + closing party.

WHAT PARTICIPANTS SHOULD BRING

Essential:

1) Laptop running Linux, OS X or Windows
2) Pure Data Extended installed from: http://puredata.info/downloads (please make sure it is Extended package!)
3) Soundcard
4) Headphones

Recommended/Suggested:

1) MIDI controller/keyboard
2) Microphone/piezoelectric contact microphone
3) USB Joystick/Gamepad
4) Sensors or other input devices (please bring your own sensors if you are interested in working with them, as only a few light sensors will be provided at the workshop)
5) Small motors or motor-driven objects
6) USB webcam/Firewire camera
7) Arduino boards (Available from Segor in Berlin: www.segor.de) and/or the xxxxxAVR/HID board (http://www.1010.co.uk/avrhid.html, please inquire via the xxxxx webpage about preordering!)
8) Your own projects and ideas to realize!

ABOUT THE INSTRUCTOR

BIOGRAPHY
Derek Holzer [USA 1972] is a sound artist with a background in radio, webstreaming and environmental recording. His work focuses on capturing and transforming small, unnoticed sounds from various natural and urban locations, networked collaboration strategies, experiments in improvisational sound and the use of free software such as Pure-Data. He has released tracks under the Nexsound, Sirr, and/OAR, Frozen Elephants Music, Mandorla and Gruenrekorder labels, and has co-initiated several internet projects for field recording and collaborative soundscapes including Soundtransit.nl. His recent projects include the opto-electronic audiovisual performance TONEWHEELS, solo performances for analog synthesizer and a manual for Pure Data. He was also co-curator of the Tuned City event for sound and architecture, which took place in Berlin during July 2008.

umatic.nl/info_derek.html
myspace.com/macumbista

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Workshops: xxxxx/CTM Berlin (+ Beograd, Copenhagen, Estonia)

Posted in Announcement on January 20th, 2009 by admin

I’ve just returned from an exhausting but fun Pure Data workshop in Beograd, Srbija for the last few days, and I’m currently getting ready for the next round of activities in Berlin, Copenhagen and Tartu (Estonia).

The Copenhagen/Tartu series will be the first installations of a new workshop/collaborative performance called Ouroboros Orchestra, based on the creation and performance by participants and intermodulation live by myself of simple, small electronic sound/noise circuits, all planned accrording to a graphical score. I’ll be posting more on this soon. Please get in touch if this workshop/performance sounds interesting for a venue near you!

The Berlin event is co-organized with Martin Howse for Club Transmediale as a public laboratory in the Kunstraum Bethanien over 9 days from 23-31 January 2009. Info below.There should be some actions/performances at the workshop space on the opening night, Friday 23 January from 19:30-22:00 featuring some of the artists involved. Hope you can make it! Otherwise, drop by the workshop between 12:00-22:00 the rest of the days of the festival to revel in ther chaos!

xxxxx_temporary_structure for Club Transmediale 2009

Tracing a clear line of development from both xxxxx_workshops: [in]tolerance during CTM.08 examining the material basis of technology and a series of life coding events in Norway and Germany, xxxxx hosts an experimental nine day structure widening the scope of construction and constructivism to embrace the social and economic structures of production and performance. Public interface is to be made explicit, inviting participation, visit and conversation.

xxxxx_temporary_structure presents the expansion of both known and less familiar constructive procedures and apparatus, for example software (Pure Data, Python) and hardware (waves, circuits, simulation) into novel territory. Software becomes script and social pragmatics, hardware expands into optics, architecture, graffiti, elaborate kinetics and novel interfaces to the world addressing biologic and physical processes; a play of light, resonance and transmission.

The relationship between structure and system is playfully opened, with the modelling of systems as core activity within the temporary lab space; simulation within both code and analogue electronics, the embedding of an internal observer allowing for a play with agents and agency.

A concern with materiality and construction forms the base for an energetic examination of all manner of diagrams, public interface (reading space, discussion), bio-computing (plant life, EEG), world interface (practical endophysics), everyday technologies (light, food), code, transitions and translations. Such disciplines branch out mushroom like, revealing instabilities and new structures across nine days, in one space, publicly accessible throughout.

xxxxx_temporary_structure is inherently experimental and interdisciplinary, inviting practitioners and artists who are well able to prise open the gaps between reified disciplines to actively create new social and constructive apparatus within the xxxxx space.

A playful laboratory is proposed which does not mark boundaries between forms and between disciplines – which rather exposes and opens up social and artistic structures for sublime experience.

Info: http://scrying.org/doku.php?id=xxxxx:ctm09

Participants

Oswald Berthold [AT/DE]
Berthold (web.fm) describes himself as a semi-autonomous social particle commissioned in Graz in 1976. His interests lie in media, programming, and networks. He is associated with xdv, farmersmanual,
and gullibloon.
Keywords: software-defined radio, sniffing, wide spectrum measurement of EM intensities, practical investigations of a brain equation, societal mapping.

Derek Holzer [US/DE]
Derek Holzer’s work focuses on capturing and transforming small, unnoticed sounds from various natural and urban locations, networked collaboration strategies, experiments in improvisational sound, self-made electronics and on the use of free software such as Pure-Data.
Keywords: drawn sound, optoelectronic synthesis, systems for collaboration, more open than source, life outside the box

Martin Howse [UK/DE]
Martin Howse operates within the fields of discourse, speculative hardware (environmental data in open physical systems), code (an examination of layers of abstraction), free software and the situational (performances and interventions).
Keywords: resonance, relativity and wave-length in space and architecture for varying wave phenomena, measurement and mapping of electromagnetic(EM) field strength intensities as archaeological conceit

Martin Kuentz [DE]
Martin Kuentz (Unkuentz) is a Berlin based freelance artist. He founded the Salon Bruit, a concert series on improvised, electroacoustic and noise music, and has been involved in the Dienstbar series, Transmitting Object Behaviour (T.O.B.), Berlin free radio campaign, Blind Operators, Unkuentz vs. Trodza and apostrov recordings.
Keywords: expansive kinetic constructivism, crashed kitchen sink and bath-tub chemistry, homemade fireworks, long-term transmissions

Rob Mullender [UK]
Rob Mullender is an artist and maker living and working in London, U.K. His current preoccupations mostly concern the possible inter-relationship between sound and light; in other words using one to help find out things about the other. This has proved to be an unexpectedly complicated and fertile subject, especially when seen as an artistic rather than a scientific or engineering pursuit.
Keywords: auditory cameras, photophonics, ultrasonics, Enigma machines, sonification-as-synthesis

Shintaro Miyazaki [CH/D/JP]
Shintaro Miyazaki is interested in the epistemology of software/hardware of consumer electronics. He works as a curator, media theorist or artist in Berlin and performed solo and with ensembles in Tokyo, Leipzig, Krakow, Palma de Mallorca, Frankfurt, Basel, Zürich and Berlin.
Keywords: epistemology, sonification of software/hardware processes, eavesdroping.

Julian Oliver [NZ/ES]
Julian Oliver has given numerous workshops and master classes in game-design, artistic game-development, object-oriented programming for artists, UNIX/Linux, virtual architecture, interface design,
augmented reality and open source development practices worldwide. In 1998 he established the artistic game-development collective, Select Parks.
Keywords: environmental steganography, Python code expansion, data forensics and augmented reality softwares

Yunchul Kim [KO/DE]
Yunchul Kim studied music composition in Seoul and media art in KHM Cologne, Germany. His work has been shown in Ars Electronica, Transmediale, NewYork digital salon and Medialab Madrid amongst many others. He has been living and working in Germany since 1999 and is a guest lecturer at the Merz Academy, Institute for New Media, Stuttgart.
Keywords: chaos elaboration, interface exploration, physical code trafficking, pataphysics, imaginary pathologies

Dorotha Walentynowicz [PL/NL]
Dorotha Walentynowicz is an artist and performer who works withphotography, video and sound, as well as modified game engines andother interactive media.
Keywords: exposure, manipulation and voluntary oppression in gaming,performative communications strategies, “black box” as camera obscura

Otto Roessler [DE]
Otto Roessler reveals the power and cruelty of the rationalist project as first invoked within a dream of Rene Descartes. Through elaboration of endophysics, a science of interiority, the world as interface is implemented within potential practical, scientific and artistic experiment.
Keywords: practical endophysics, discussion of mute sperm whale communication, impending technocratic disaster analysis

Danja Vassiliev [RU/NL]
From the middle of 90s, Danja Vassiliev has been actively engaged with internet, computer and digital based visual and installation art. His most recent research and works are concentrated around topics of digital networking, internet and stereotypes of the digital age.
Keywords: literal UNIX pipes, shared communications systems, terminal VJ, swarmed networks with traffic/person as information carrier

Valentina Vuksic [CH]
Valentina Vuksic explores a highly individual articulation of hard and software mediation; the processes in such intermediate space as action thus implying actors rendered audible through novel intrusion.
Keywords: exploration of computational process as actor/staged on physical substrate (audio) rendering, comparison of crash spectra

+ participants from the public selection:

Georg Holzmann
Jonathan Kemp
Lars Lundehave Hansen
Lindsay Brown
Shintaro Miyazaki
Verena Friedrich
Walter Langelaar
Will Scrimshaw

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