My good friend Ewen Chardronnet asked me to answer a few questions about the DELILAH TOO installation, my instrument-building practice and the workshop process. You can read my replies here.

One of my first formal trainings was as a silversmith, so the idea of making real things with my hands has always held far more appeal than the symbolic substitutions and semiotic shell games so beloved by the more conceptual and theoretical wings of the contemporary art world. But I think my instrument-building also reflects an economic reality one faces as a non-academic, non-institutional artist these days. There is so much digital music out there right now, and no one pays you for making any of it. But since we are working in the era of the “pro-sumer”, there are plenty of people who are constantly spending money on the tools to make their own music.

This entry was posted on Thursday, March 19th, 2015 at 17:00 and is filed under Text. You can follow any responses to this entry through the RSS 2.0 feed. Both comments and pings are currently closed.