[Moritz Ellerich / Fabelphonetikum (rhizome schematic)]
Vague Terrain 19: Schematic as Score launched, 2 May 2011.
At the end of 2010, I arranged to curate an upcoming issue of the Canadian online journal Vague Terrain. I wanted to cover some of my research into the deterministic tendencies of sound technology alongside a selection of artists I know who are all deeply committed to designing and constructing various types of electronic performance systems. Almost a half year later, it has finally arrived and I must say I’m pretty proud of it.
Featuring work by Peter Blasser, Jason R. Butcher, Moritz Ellerich, Lesley Flanigan, Martin Howse, Derek Holzer (with Mads Bech Paluszewski), Loud Objects (Kunal Gupta, Tristan Perich and Katie Shima), Jessica Rylan and Synchronator (Bas van Koolwijk & Geert-Jan Prins), the issue also includes two essays I wrote for the occasion, the issue introduction Schematic as Score: Uses and Abuses of the (In)Deterministic Possibilities of Sound Technology and Monkeys in the Trees: Systems Music, Electro-acoustic Autism and the Hungry Animals, on the Bergen and Berlin versions of David Tudor’s Rainforest which I co-organized over Fall/Winter 2010-11 for Piksel and Club Transmediale.Tags: Essay, rainforest