Buildings, urban locations and architecture are traditionally described in visual terms, but it is our sense of hearing that assists us in experiencing and navigating through the spaces we inhabit. Sound is an essential part of social experience, and that should be of the utmost concern to architects, planners and artists alike, yet this is overlooked all too often. When the sound in a space is disruptive or dysfunctional, then the aesthetics, communications and perceptions in that space are likewise disrupted.
Therefore, the first step for anyone wishing to work with sound is learning how to listen. We will spend the first workshop day doing a series of listening exercises, using a collection of field recordings to tune the participants’ ears to the various sounds present in them, to think about what kind of information those sounds transmit and to reflect on the effects they have on the listener.
The following book will provide participants with a list of concepts useful for discussing urban sonic experience:
Jean Francois Augoyard: Sonic Experience–A Guide to Everyday Sounds
The second day will focus on fieldwork out in the city, using new listening exercises, digital recorders and the observations on the nature of sound from the previous day to experience the city with new ears.
On the third day, we will listen to the recordings gathered by the participants to see what they can tell us about the locations each person visited. And finally, on the fourth day, participants will develop and present a one-sheet concept for a project related to the sonic experience of the locations we have visited.
This workshop is directed towards sound interested laymen as well to architects and planners.field recording, germany, tuned city, workshop